There’s always something to howl about.

Category: Casual Friday (page 25 of 25)

A radically different way of thinking about real estate: What if Las Vegas Boulevard were private property . . . ?

For Galen Ward from Rain City Guide, here is a weblog post I wrote in 2003 on the idea of mass transit and private property in Las Vegas. The Las Vegas Monorail was then still in construction, and I was busily demonstrating why it must fail — which it has, as the ultimate slow-motion train wreck. Much has changed since I wrote this (and the links are not warranted to work): The Mandalay Resort Group has been swallowed by MGM/Mirage, the Boardwalk is in redevelopment and the Stardust is about to be. There are semi-residential towers being built on The Strip — although there still will be no commuters living there. Most importantly, the PediCabs, the bicycle-rickshaws, have been banned. Public pretext: Safety issues. Real reason: Too effective at competing with taxicabs.

Anyway, using Las Vegas Boulevard as an example, here is a completely different way of thinking about real estate:

BetterVegas: No-train-ware…

Harkening back to this, deconstructing boneheadedness is simply a matter of determining how and why the solution deployed did nothing — or less than enough, at least — to satisfy the original objective. It is boneheaded not to connect the resort with the casino that is its reason for being. It is boneheaded to turn an entertainment venue into a regimented drill, then move the patrons though an inane non-exit. It is boneheaded to build a trolley system in Phoenix that will not empty a single car, but which will cause those cars to move slower and pollute more.

It is boneheaded to build a transit system for The Las Vegas Strip that is not on The Strip. But what’s worse, it would be boneheaded to build a rapid transit system even on The Strip.

Why is that so?

The answer comes in the form of two more questions: What is the product? And who is the client?

The Strip runs on Las Vegas Boulevard from Sahara Avenue to the north to Russell Road to the south. When we think of mass transit systems, we think of commuters. In this we are being thoughtless, because on that four-plus mile stretch of road there are Read more

Casual Friday on Wednesday night…

Twelfth Night, set in the fifties. Ick. I love the drama as an art form, and I almost always hate to see it performed. Nothing ruins a great play like a gaggle of clucking actors.

While we’re out, I commend your attention to this. Wrap your mind around the change Mark Nadel is proposing, and consider the real estate world after such a revolution. This is history unfolding before our eyes.

Time enough for a large drink and Cathy can drive. Double Scotch at intermission (double ick, but it’s what they have). Properly lubricated, I’ll have a great time…

Casual Friday: It’s a sports movie, it’s a Vegas movie, it’s a raucously funny comedy . . .

It’s been a rich fully Friday in Bloodhoundville, so I have but one word for Casual Friday:

Dodgeball.

Vince Vaughn steals any scene he’s ever been in, but the casting is inspired throughout — as is the writing. Every little thing about this film repays attention.

There’s even an Easter Egg for Classicists. Anyone spot it?

The Fountainhead rises early in the West, but how many works of art are so thoroughly about the real estate business?

How’s this for a synopsis of the best real estate movie ever made:

An idealistic architect battles corrupt business interests and his love for a married woman.

So little argue against, so much to dispute…

Nevermind. The Fountainhead is on Turner Classic Movies tomorrow night at 5 pm MST (YTZMV (your time-zone may vary)). That’s a poor time of day for watching TV, so you might wait for the DVD version, to be released November 7th.

Or just forget the whole movie, which is flawed by creepy performances and even creepier architecture, a huge betrayal of the Sullivan/Wright modernism the film intends to celebrate. Snag the bookinstead, which, for my money, is in the running with Huckleberry Finn and Moby Dick as The Great American Novel — the work of literature that best explicates the American Experience.

Plus which, movie or book, how many works of art are so thoroughly about the real estate business?

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BloohoundBlog is three months’ old — and we’re taking the rest of the week off to celebrate . . .

There are still over 400 unanswered emails in my inbox. Plus I have a bunch of Arizona real estate news I want to talk about. Plus I have tabs and tabs of real estate weblog posts I want to link to.

But… BloodhoundBlog is three months’ old today. A three-month-old Bloodhound can move your furniture and mow through a pair of shoes in three minutes flat. A three-month-old BloodhoundBlog is but barely aborning — well begun, but half-baked, at best. Four-hundred-twenty-five posts, but they add up if you do a few dozen in a single day…

But part of working hard is knowing when to stop. There is a bottle of Old Bushmills in the cabinet over the refrigerator that demands at least three fingers of my attention this night. Irish Whiskey is an acquired taste, particularly if you’ve scorched your tongue with Scotch. But — for tongue-scorching — Cathy has laid in the stuff for me to make a Hatch chile salsa, and last night a client gave us chile rellenos and some other muy caliente delectables. Mere liquor is nothing compared to the endorphin rush that comes from eating really hot food.

When I was a young kid working in New York, I had a boss who would stroll through the office at about 4:50 on Friday afternoons. “Why don’t you take the rest of the week off?” he would say. He never got tired of that joke. And I never have, either.

So here’s a toast to you all, as we take the rest of the week off. Thanks for being here with us!

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Blogoff Post #70: Using event coverage to good advantage . . .

From SEOmoz blog, a definitive resource, how to use event coverage attract readers to your real estate weblog:

Ingredients: A popular, well-attended event with a particular industry theme and a passionate writer who makes friends wherever they go.

Process: Go to the event, cover as best you can — make friends, take copious, detailed notes, go to the bars afterwards, shoot photos and videos and, most importantly, let everyone there know that you’ll have the coverage on your site in the next few days. Time is of the essence here, but once you’ve got a great writeup (with photos!), send emails to your event contacts to help boost the buzz.

Results: Depending on the size of the event and the people you form connections with, this can drive thousands or even tens of thousands to the site. Covering something private (with permission), exclusive or underground can be even more rewarding, though big, public events often make an easier starting point.

This sounds like The Property Monger to me. And I am very interested in hearing about going to bars…

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Riffing on poetry . . .

I wrote this as a speech many years ago. The little boy mentioned here towers over me by now…

Riffing on poetry…

My son Cameron is being confirmed this Easter. One of his jobs before then is to memorize the Nicene Creed, which is the shortest statement of Catholic doctrine. He was complaining to me how hard it is to memorize. I didn’t argue. Instead, I said:

The screen door slams. Mary’s dress sways.
Like a vision she dances across the porch as the radio plays.
Roy Orbison singing for the lonely.
Hey, that’s me, and I want you only.
Don’t turn me home again,
I just can’t face myself alone again.
Don’t run back inside, darling,
you know just what I’m here for.
So you’re scared and you’re thinking
that maybe we ain’t that young anymore.
Show a little faith, there’s magic in the night.
You ain’t a beauty, but hey you’re alright.
Oh and that’s alright with me.
You can hide ‘neath your covers and study your pain
Make crosses from your lovers, throw roses in the rain
Waste your summer praying in vain
For a savior to rise from these streets
Well now I’m no hero, that’s understood
All the redemption I can offer, girl, is beneath this dirty hood
With a chance to make it good somehow
Hey what else can we do now?

What is it? Thunder Road, by Bruce Springsteen. I gave Cameron every word, start to finish, more than 400 words.

He said, “But still, dad.” So I said:

Early one morning the sun was shining,
I was laying in bed
Wondering if she’d changed at all
If her hair was still red.
Her folks they said our lives together
Sure was gonna be rough
They never did like Mama’s homemade dress
Papa’s bankbook wasn’t big enough.
And I was standing on the side of the road
Rain falling on my shoes
Heading out for the East Coast
Lord knows I’ve paid some dues getting through,

What was I? Tangled Up In Blue, by Bob Dylan. I said every one of the almost 600 words in that song.

And it got me thinking about poetry. Poetry is about memorization first. It’s much older than discursive prose, and it was born not as some effete art form, but as an essential element Read more

Peter Pan at the CD rack: Apprehending the art in pop music . . .

I wrote this almost three years ago, reflecting back on Labor Day 2003. I happened to think of it this week when I heard a piece of Bob Dylan’s new album. With a few truly remarkable exceptions, a couple of which are discussed here, Dylan has been phoning it in since he met Andy Warhol — who taught him that pigs will eat anything. And, yes, I’m off-topic again. And, no, I don’t know if I’ll do something like this every week. But this post dips at least one toe into the depths of depth, so it’s entirely possibly that you will emerge from this experience enriched, edified — or at least, I can hope, entertained.

Peter Pan at the CD rack…

It doesn’t matter what I say
So long as I sing with inflection
That makes you feel that I’ll convey
Some inner truth of vast reflection
But I’ve said nothing so far
And I can keep it up for as long as it takes
And it don’t matter who you are
If I’m doing my job then it’s your resolve that breaks

I’ve been thinking a lot about The Blues, which literally means the endlessly replicated, superficially variegated, ultimately massively redundantly meaningless Blues that was the focus of the Scorcese documania.

I said something stupid
Then I went and said it twice
Lord, I said something truly stupid
Didn’t I go off and say it twice?
I sold you the same old thing again
And suckered you in to paying full price
(I suckered you in to paying full price)

And that’s okay, really, because it’s stupid and useless and wrong, and just exactly as valuable as the paleolithic pottery people go ape over — for exactly the same reasons. The Blues is a primitive non-art made by people who had nothing to make art from — no instruments, no training, and no real talent except for a knack for hustling suckers. And that’s why this is such a wonderful work of art:

Because the hook brings you back
I ain’t tellin’ you no lie
The hook brings you back
On that you can rely

There is something amiss
I am being insincere
In fact I don’t mean any of this
Still my confession draws Read more

Let The Day Begin . . .

Taking allowance from recent posts here and on other favorite sites that have quoted lyrics, and inspired by having just heard this on the radio, I want to celebrate the joy that is communicated by The Call, in band member, Michael Been’s song Let The Day Begin (covered on The Best of the Call – The Millennium Collection):

Here’s to the babies in a brand new world
Here’s to the beauty of the stars
Here’s to the travellers on the open road
Here’s to the dreamers in the bars
Here’s to the teachers in the crowded rooms
Here’s to the workers in the fields
Here’s to the preachers of the sacred words
Here’s to the drivers at the wheel
Here’s to you my little loves
With blessings from above
Now let the day begin
Here’s to you my little loves
With blessings from above
Now let the day begin
let the day begin

Here’s to the winners of the human race
Here’s to the losers in the game
Here’s to the soldiers of the bitter war
Here’s to the wall that bears their name
Here’s to you my little loves
With blessings from above
Now let the day begin
Here’s to you my little loves
With blessings from above
Now let the day begin
Let the day begin
Let the day start.

Here’s to the doctors and their healing work
Here’s to the loved ones in their care
Here’s to the strangers on the street tonight
Here’s to the lonely everywhere
Here’s to the wisdom from the mouths of babes
Here’s to the lions in the cage
Here’s to the struggles of the silent poor
Here’s to the closing of the age
Here’s to you my little loves
With blessings from above
Now let the day begin
Here’s to you my little loves
With blessings from above
Now let the day begin
Let the day begin
Let the day start.

And isn’t this what most of us are about? Those of us who have jumped on the Real Estate 2.0 bandwagon, blogging and building community and talking about transparency and working always toward the best interest of the client. It’s not just about making our mark in the market, though of course that’s important on so many levels… it’s about doing good first and then doing well as a consequence. So,

Here’s to you Greg
Here’s to Read more

Anything might happen tonight . . .

I’m a sucker for simple things. Catullus is a workout in Latin, but in English he’s just Needles and Pins, or maybe Romeo and Juliet. Yes, I’m off-topic again, and it’s not just because I live my life with Cathy’s Clown running through my head. But something struck a chord with me when I played this game last Friday, so I’m back with another jukebox full of shitkicker brutality.

I want to talk about Bruce Robison because I think he is a master of the searingly simple song. Robison is a haunting Austin singer-songwriter who scored with a Tim McGraw cover of his Angry All The Time.

The lyrics to Robison’s songs are exquisite, so I’m going to show them, but they are nothing compared to the performances. Lyrical music simply must be heard. For all its hokey faults, Country music is the only contemporary popular music form that combines real musicianship, real writing and real relevance to real life. And Bruce Robison is a fine exemplar of all three qualities.

Witness:

Traveling Soldier

by Bruce Robison and Farrah Braniff

Two days past eighteen,
He was waitin’ for the bus in his army greens.
Sat down in a booth, in a cafe there,
Gave his order to a girl with a bow in her hair.

He’s a little shy but she give him a smile,
So he said: “Would you mind sittin’ down for a while?
“And talkin’ to me. I’m feelin’ a little low.”
She said: “I’m off in an hour and I know where we can go.”

So they went down and they sat on the pier,
He said: “I bet you got a boyfriend but I don’t care,
“I got no one to send a letter to.
“Would you mind if I sent one back here to you?”

I cried: “Never gonna hold the hand of another guy.”
“Too young for him,” they told her.
Waitin’ for the love of the travellin’ soldier.
“Our love will never end.”
Waitin’ for the soldier to come back again
Never more to be alone when the letter says,
My soldier’s comin’ home.

The letters came from an army camp,
In California, then Vietnam.
He told her of his heart, it might be love,
And all of the things he Read more

Working hard to get the listing on the Tower of Song . . .

I’m really not the off-topic type, but it’s Friday and I’m toast and I feel like sharing a little of the background here at Bloodhound HQ. For weeks now we’ve been listening to the soundtrack albumfrom the film Leonard Cohen: I’m Your Man.

If the movie is still around in your town — it’s long gone from the world’s most sophisticated cow town — go see it. It has two redeeming features over most rockumentaries: First, the interview portions are viscerally honest, in contrast to the usual obviously phony PR treatment. And second, the interview portions are very brief, with the result that the music holds sway — vast stretches of uninterrupted music. Who’d’a thunk it? A music movie about music…

Leonard Cohen is one of my secret vices — along with Tom Waits and Townes Van Zandt. However far they might fall from my own esthetic, I make room in my life for songwriters who ring true to me — no matter how gut-wrenchingly true. The obvious contrast is to Bob Dylan, who has whole suites of space in my mind, but who is always hiding behind one mask or another. If you listen to something like Marie, the experience is the perfect antithesis to one of Dylan’s set pieces. With the possible exception of Blind Willie McTell, which is excruciatingly excellent, Bob Dylan is nowhere to be found in a Bob Dylan song, whereas in a song by Townes Van Zandt or Leonard Cohen, the man is always right there. Tom Waits is a little more challenging, and I like to use a remarkably bad live bootleg I have of Falling Down as a litmus test for sophisticates. If you can hear through level upon level of rubbled ugliness to the sad and perfect beauty of the song, I might let you look at my record collection.

I’ve infected Cathy will all my musical affectations, and part of learning to live and work with me is learning to put up with, respect, like and eventually love what I admire in popular music — because if I feel a need to listen to Read more

LaunchCast: The completely personalized radio station…

I discovered LaunchCast radio from The Long Tail (which is very worth reading). It’s a streaming radio service — with a twist. You create your own radio station, based on your preferences, which is then streamed to you personally. You set meta-goals by working with a list of genres, sub-genres, even specifying individual artists. Then, as ‘your’ station is playing, you can rate, rave about or eliminate particular songs as they are playing. If something plays that you just have to own, you can buy it through the interface.

This sounds like a lot of work, but mainly you’re just listening to the radio while you work. The difference is, it’s a radio station that is progressively more to your taste, and progressively less annoying. I have a love/hate relationship with XM radio in my car. Even so, I almost never listen to broadcast radio, because, for all its faults, XM is still much better. We have a vast collection of music ripped to MP3s, fed by iTunes from my Mac to a stereo in our office. We call this WHFO, and we had thought it was about as good as we were going to get in a radio format. LaunchCast blows all of this away. It starts out pretty good, but even if you do no more than weed out the stuff you hate — motivation abounds — it will get better and better with time.

Give it a try. There’s a free version that you can test-drive for 600 songs a month. The premium product, highly recommended, is $35 a year. I’m a Realtor. I live in my car. If I could have LaunchCast in the car, XM would be hauling its satellites to the junk yard…