I joined the Lake Grove Presbyterian Church choir about nine years ago. (Geno, chill. This is a story about excellence, not Bible Boy!) There was an interim director who led about twenty singers. The assumption of the director, and most of the elder hierarchy in a still dying denomination, was (is) that choirs and classical music are essentially passé, that contemporary music, a rock and roll praise band and ‘Jesus is my girlfriend’ anthems are necessary to put people in the pews. Armed with that assumption, the director aspired to mediocrity and almost succeeded; why put effort into something that’s dying?
I was on the search committee to find a permanent director. I had concerns about the person we picked – Wendy Bamonte, a wisp of a thirty-something with a terrific cv in instrumental music, but less so in choral. She was hired, but I took my concerns to the pastor anyway, who took them to Wendy, who called me and said: ‘Let’s talk.’ We did. It turned out she’s every bit as direct as I am, and out of that, um, lively discussion, developed a friendship that I’ve had with her and her husband since.
Wendy isn’t one who accepts conventional wisdom simply because it’s conventional. She had (has) a vision: provided excellence both in the choice of music and its preparation, choirs and classical music aren’t only not dead, but on the cutting edge of the future. No one believed it, of course, but it was nice to have someone passionate about something, as quaint as it seemed.
But she’s been driven from the first year eight years ago. Interested less in genre than in the excellence of the music, we’ve done everything from baroque to gospel. She’ll spend two weeks picking exactly the right music for a twelve week sermon series. She has the personality, drive and tact to get the most in the least amount of time out of unauditioned amateurs. Unlike those who protect themselves from anyone better, she brings in world-class directors for choral workshops. She’s very, very good at what she does, but still takes the time each year to spend a week at a choral workshop herself; excellent is never quite good enough.
As a bonus, her husband Dave plays trumpet for the Oregon Symphony. He’s played with Boston, with Mehta, knows Wynton; between the two of them they know many – most – of the best musicians in the Portland area, many of whom have sung and played with us. Working with professionals ups the concentration and ability of amateurs, which then allowed Wendy to find more challenging music.
[There is, of course, a downside. Directness is not an asset in an organization that admires boats not rocking, and Wendy is still delightfully direct.]
The reputation grew. Oddly enough, people left mega-contemporary-churches to sing with us, hungry for good music. The choir grew. Because of her and one of the best pastors in the faith*, the congregation grew, and continues to grow.
This morning ninety-one singers and a nineteen piece orchestra sang and played Bach’s Magnificat, one of the most difficult (and gorgeous) pieces in the choral repertoire. In the 450 seat Sanctuary we had 715 attend the first of two services, 569 the second. Three of the kids I used to work with in youth group came up to me between services with versions of “OMG! That was totally AWESOME!”, the very kids who we’re told can’t sit still for…classical music.
Excellence trumps everything.
The general relevance to the real estate industry – or any other – should be obvious: you can talk and cajole all you want; you can even find yourself on Sixty Minutes and the Today Show, but if you’re pushing mediocrity while others are delivering excellence, you’ll lose. Period.
But I want to make this more specific:
Everything I admire in Wendy and what she’s accomplished I see in Greg, and by extension the contributors and commenters here. Vision. Drive. A passion for excellence, disdain for the ordinary, contempt for conventional wisdom. Because of those qualities BHB has come from nothing to one of the most influential blogs in RE.net.
Yet it’s still under the radar. Web 2.0 barely occurs to the staid protectors of the RE status quo. The recently concluded NAR convention – and pretty much everything that comes out of NAR – is concerned with how to mold the future to fit the current real estate paradigm. Mediocrity in perpetuity.
But Greg knows differently, as do I, as do you: it’s the real estate paradigm that needs to change, sooner not later. How is still in flux, the reason Unchained is more important than I think even we think. Many will assume it’s just a bunch of iconoclasts getting together to drink beer and fantasize; we’ll all know the reality by this time next year.
I only predict this: the ‘how’, by unanimous acclimation, will be anchored in a one word premise: Excellence.
Works for me.
*Aside for Greg, Allen and Geno: Also a good friend, he plays a mid-seventies D-35, an Epiphone LP modeled after Neil Young’s Blackie, and, at last count, has 2300+ ‘60s, ‘70s and ‘80s songs committed to memory.
Ken Montville says:
Jeff,
I agree with your premise.
I wonder, though, how you can convey excellence to potential readers/clients. Excellence is known, I think, only through comparison to the “less-than-excellent” much the same way you knew the excellence of Wendy vs your interim director.
How do you let a client/reader know YOU are excellent with all the passion, etc. that implies when they don’t have anything to compare it to unless they go to the competition first…and by then it’s too late, isn’t it?
December 17, 2007 — 6:34 am
Allen says:
Excellent post, Jeff. It thrills me to hear about a church where choral and classical music is preempting the “contemporary” junk. I attend a church that specializes in contemporary junk, executed poorly by amateurs. Its one redemption is the pastor, who is a true scholar.
December 17, 2007 — 8:16 am
Greg Swann says:
Beautiful. I don’t deserve what you’ve said about me, but I do love where you’ve set the target.
December 17, 2007 — 8:29 am
Jeff Kempe says:
Ken …
To a large degree excellence is its own conveyance. Wendy has never talked about her skills, she just puts her head down and does her job; the rest has taken care of itself.
December 17, 2007 — 8:32 am
Jeff Kempe says:
Greg…
Finally we can disagree about something!
I tried to avoid the sappy but, yes, you deserve it. And then some. Your vision, your directness, your handpicked team of, well, iconoclasts …
December 17, 2007 — 8:47 am
Jeff Kempe says:
Allen …
It’s exactly people like you who’ve grown the choir and the congregation. Jars of Clay isn’t going to supplant Mozart any time soon.
Incidentally, just because I love classical music does NOT mean I don’t love excellent folk, bluegrass and rock and roll as well!
Excellent rap, though, seems oxymoronic…
December 17, 2007 — 8:52 am
Geno Petro says:
Jeff, very inspiring. Clearly, those who strive for excellence are much more centered on the ‘why’ than the ‘how.’
…unless of course you stick an ‘L’ at the end, in which case, you’ll hear the symphony of a couple dozen unchained bloodhounds…
December 17, 2007 — 9:13 am
Brian Brady says:
“Excellent rap, though, seems oxymoronic…”
That’s a matter of taste, Jeff. Having stated that, Redfin has its place in this space IF (and you nailed it) they commit to excellence. Schwab did it in the securities biz.
I’m going to try and stick with the rap analogy and compare it to what Redfin is trying to do. Today, they are like so many of the hip-hop artists of today; commercial and foul-mouthed. That is not a commitment to excellence; it’s parasitic.
Eminem, Public Enemy, and even the Beastie Boys recognized that this “new genre” (which is 26 years old) had a potential to change a generation’s way of looking at pop music…IF…they did it right. Doing it right was a commitment to excellence. Excellence in original thought, rhyme and meter, and message. The perfection they pursued had that end result in mind- excellence.
As crazy as this sounds, like many rappers who’ve lost their way, the “tekkies” at Redfin need to get back to their roots and change this business for the better, rather than riding others’ backs.
December 17, 2007 — 2:23 pm
Jeff Kempe says:
Brian, touche!
I admit to not having searched for excellent rap; all I’ve been exposed to is the trash. I’m always open to suggestion from someone whose opinion I trust; can you link to a favorite or two?
And, of course, perfect analogy…
December 17, 2007 — 5:13 pm
Russell Shaw says:
Jeff,
There are many rap artists who are nothing but a one trick pony, with their non-stop f this and f that, with lyrics that seem designed to exclude anyone (older white guys, for sure) who isn’t already in their club. Purists will make a huge distinction between rap and hip hop. I can’t say there isn’t one but I am saying that if you want to discover what all the fuss is about and hear something that will cause you to want to learn a bit of the language to fully appreciate the the level of the art involved – check out Kanye West. All of his albums are excellent but the one I recommend to start with is, “The College Dropout”.
http://www.spun.com/music/product-detail.jsp?id=2337014
December 18, 2007 — 9:28 pm
Brian Brady says:
Kayne West is good, no doubt. He spoke his mind about the aftermath of Katrina and while I didn’t agree, I respected his plea.
Maybe Johnny Cash started it all with “Ive been Everywhere” but Blondie’s Rapture is considered the first rap tune.
The first recognized rap tune was from the Sugar Hill Gang. I was 14, taking the subway to school, when I heard THIS:
http://www.youtube.com/watch?v=Y1q6SMAjz1w&feature=related
Here’s my fav Beastie to demonstrate how sic (sic) this genre was. The DJ creates it all with one disc, the MCs are so in tune with each other (Classic Beasties):
http://www.youtube.com/watch?v=PT8YUB1Ym0A
The Fresh Prince was bubblegum rap:
http://www.youtube.com/watch?v=-O4sSZc2WCU
but grew up and became Will:
http://www.youtube.com/watch?v=BIduOvEoVeQ
More as I think of them. Way to keep an open mind, Jeff. As you might have guessed, I grew up on the east coast.
December 24, 2007 — 8:42 am
Jeff Kempe says:
>As you might have guessed, I grew up on the east coast.
Maybe that’s it! I repped Eastland Shoe Co. in the early nineties; they had a huge inner city boot business; people would literally kill for the little green tag. New York. Atlanta. Chicago. Every place…east of the Mississippi. In the ten western states, nothing. Everywhere I placed them – including South Central LA – they bombed.
I listened. I tried. Cross my heart. But my love of melody got in my way; you’re right, chalk it up to taste. Kanye West may be the best thinker that ever lived, but it’s a little like listening to “To effin’ be or effin’ not to be, mother effer, that is the effin’ question.” I lean toward a paucity of words, the reason I’ve never finished a Michener novel. That, plus his post Katrina comments were the first I’d ever heard of him, and as we’ve learned in the last week first impressions last.
The good news is this: I did find one I liked: Here.
Can I talk you into listening to La Traviata?
December 26, 2007 — 8:29 am